CV

EDUCATION
SELECTED SOLO EXHIBITIONS
SELECTED GROUP EXHIBITIONS
TEACHING
ARTIST RESIDENCIES
CURATION
TALKS, LECTURES & WORKSHOPS
AWARDS
APPOINTMENTS
PUBLIC COLLECTIONS
BIBLIOGRAPHY


 
 
EDUCATION
PhD (ABD) Cultural Mediations, Institute for Comparative Studies in Art, Literature and Culture, Carleton University, Ottawa, Ontario, Canada (2005 to 2009)
Master of Fine Arts, University of New Mexico, Albuquerque, New Mexico, United States (1998)
Bachelor of Applied Arts in Photographic Arts, Ryerson Polytechnical Institute, Toronto, Ontario, Canada (1984)
 
 
 
SELECTED SOLO EXHIBITIONS
2017 Wish You Were Here, Ojibwe Cultural Foundation, M’Chigeeng, Ontario, Canada. (May 25 – August 7)
2016 from an early age revisited (1994, 2016), Wanuskewin Heritage Park, Regina, Saskatoon, Saskatchewan, Canada. (July – September)
2015 Rosalie Favell: (Re)Facing the Camera, MacKenzie Art Gallery, Regina, Saskatchewan, Canada. (August 29 – November 22)
2014 Rosalie Favell: Relations, All My Relations, Minneapolis, Minnesota, United States. (December 12 – February 20, 2015)
2013 Muse as Memory: the Art of Rosalie Favell, Gallery of the College of Staten Island, New York City, New York, United States. (November 14 – December 19)
2013 Facing the Camera: Santa Fe Suite, Museum of Contemporary Native Art, Santa Fe, New Mexico, United States. (May 25 – July 31)
2013 Rosalie Favell, Cube Gallery, Ottawa, Ontario, Canada.
2013 Wish You Were Here, Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada. (February 28-May 26)
2012 Rosalie Favell Karsh Award Exhibition, Karsh Masson Gallery, Ottawa, Ontario, Canada. (September 7 – October 28)
2011 Rosalie Favell: Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada.
2011 Facing the Camera, Urban Shaman, Winnipeg, Manitoba, Canada.
2009 Reveal, Ottawa Art Gallery, Ottawa, Ontario, Canada.
2008 Cultural Mediations, Urban Shaman, Winnipeg, Manitoba, Canada.
2005 Rosalie Favell, Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada.
2003 Rosalie Favell: I Searched Many Worlds, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada.
2002 Longing and Not Belonging, Art Gallery of Southwestern Manitoba, Brandon, Manitoba, Canada.
2000 Longing and Not Belonging, Thunder Bay Art Gallery, Thunder Bay, Ontario and Kitchener-Waterloo Art Gallery, Kitchener, Ontario, Canada.
1999 Longing and Not Belonging, Indian and Inuit Art Centres, Department of Indian and Northern Affairs (DIAND), Hull, Québec, Canada and New Phase Art Space, Tainan and International Visual Art Centre, Taipei, Taiwan.
1998 Longing and Not Belonging, The Photographers Gallery, Saskatoon, Saskatchewan, Canada.
1998 Longing and Not Belonging, One Star Artist’s Studio, Lubbock, Texas, United States.
1996 Rosalie Favell, The Manitoba Studio Series 27, The Winnipeg Art Gallery, Winnipeg, Manitoba, Canada.
1996 Eclipse I: A Gathering of Spirits, The Floating Gallery, Winnipeg, Manitoba, Canada.
1995 Living Evidence, Galerie Dazibao, Montréal, Québec, Canada.
1995 Living Evidence, Fotofeis ’95, International Festival of Photography, Edinburgh, Scotland.
1994 Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada.
1994 Living Evidence, Dunlop Art Gallery, Regina, Saskatchewan, Canada. (June 4 – August 21)
1993 Portraits in Blood, Native Indian/Inuit Photographers’ Association (NIIPA) Gallery, Hamilton, Ontario, Canada.
1985 Family Circle, The Floating Gallery, Winnipeg, Manitoba, Canada
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SELECTED GROUP EXHIBITIONS
2017 Every. Now. Then: Reframing Nationhood, Art Gallery of Ontario, Toronto, Ontario, Canada.
2016 Paper / Papier, Cube Gallery, Ottawa, Ontario, Canada.
2016 Qua’yuk tchi’gae’win: Making Good, artists: Kudluajuk Ashoona, Carl Beam, Leah Decter, Rosalie Favell, Lita Fontaine, Robert Houle, Simon Hughes, Alex Janvier, Jessie Oonark, Jane Ash Poitras, Miriam Qiyuk, David Ruben Piqtoukun, and Arthur Renwick. Winnipeg Art Gallery, Winnipeg, Manitoba, Canada.
2015 We Are On Treaty Land, artists: Robert Houle, Rosalie Favell, KC Adams, Lita Fontaine, Murray McKenzie, Daphne Odjig, Jeffrey Thomas, and Jackson Beardy, curated by Jaime Isaac, Winnipeg, Manitoba, Canada. (April 20 – May 29)
2015 The Rebel Yells: Dress and Political Re-dress in Contemporary Indigenous Art / Le cri rebelle : Tenue vestimentaire et redressement politique dans l’art autochtone actuel. FOFA Gallery Concordia University, Montréal, Québec, Canada. (April 20 – May 29)
2015 Wax-Paper-Paint: Rosalie Favell & Susan Ukkola, Cube Gallery, Ottawa, Ontario, Canada.
2015 Home Away from Home, Ottawa Art Gallery, Ottawa, Ontario, Canada.
2012 007 (Ottawa Ontario Seven) Collective Inaugural Exhibition (007 are Barry Ace, Rosalie Favell, Ronald Noganosh, Frank Shebageget, Ariel Smith, Yerxa, Bear Witness) Gladstone Hotel, Toronto, Ontario, Canada.
2012 A Picture is Worth a Thousand Words, artists: Rosalie Favell, Norval Morrisseau, Jackson Beardy, Abraham Anghik Ruben, Kiugak Ashoona, Akio Takamori, Maurice Savoie, and Jordan Van Sewell, curated by curatorial intern Frances Gail, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada.
2011 Resilience / Resistance: Métis Art, 1880 – 2011, Batoche National Historic Site, Batoche, Saskatchewan, Canada.
2011 Steeling the Gaze, Portraits by Aboriginal Artist, toured by Canadian Museum of Contemporary Photography and the National Gallery of Canada, artists: KC Adams, Carl Beam, Dana Claxton, Thirza Cuthand, Rosalie Favell, Kent Monkman, David Neel, Shelley Niro, Arthur Renwick, Greg Staats, Jeff Thomas and Bear Witness, Mendel Art Gallery, Saskatoon, Saskatchewan (January 18 – March 10), McMichael Museum, Ontario (June 11 – September 11), Dalhousie Art Gallery, Halifax, Nova Scotia (Sept 14 – November 27) and Thunder Bay Art Gallery, Thunder Bay, Ontario, Canada (December 17 – January 20, 2012)
2011 Close Encounters: The Next 500 Years, Plug In Institute of Contemporary Art, Winnipeg, Manitoba, Canada.
2011 Soul Sister, Museum of Contemporary Native Arts, Santa Fe, New Mexico, United States.
2011 International Indigenous Photo Exhibition, Eiteljorg Museum, Indianapolis, Indiana, United States. Touring ongoing:

  • June 16–August 11, 2016, Nebraska State Historical Society Lincoln, NE
  • April 6–May 25, 2016, Refurbishment Kansas City, MO
  • January 28–March 16, 2016, Chisholm Trail Heritage Center Duncan, OK
  • September 1–November 21, 2015, Sheldon Art Galleries St. Louis, MO
  • April 6–August 4, 2015, Palmer Museum of Art Palmer, AK
  • January 28–March 16, 2015, Humboldt State University Arcata, CA
  • September 1–October 20, 2014, Texarkana Regional Arts and Humanities Council Texarkana, TX
  • June 20–August 10, 2014, Museum of the Southwest Midland, TX
  • April 6–May 25, 2014, Fred Jones Jr. Museum of Art, University of Oklahoma Norman, OK
  • January 28–March 16, 2014, Wayland Baptist University Plainview, TX
  • November 10, 2013–January 7, 201, Roland Park Country School Baltimore, MD
  • September 1–October 20, 2013, Refurbishment Kansas City, MO
  • April 6–August 11, 2013, Sordoni Art Gallery Wilkes-Barre, PA
  • January 28–March 16, 2013, Flint Hills Discovery Center Manhattan, KS
  • November 10, 2012–January 7, 2013, Mari Sandoz High Plains Center Chadron, NE
  • September 1–October 20, 2012, Kansas City Library Kansas City, MO
  • June 16–August 14, 2012, Southeast Missouri State University Cape Girardeau, MO
  • November 10, 2011–March 16, 2012, Tarble Arts Center, Eastern Illinois University Charleston, IL
  • September 1–October 20, 2011, Baker Arts Center Liberal, KS
  • June 16–August 11, 2011, Museum of Nebraska Art Kearney, NE

2010 Vantage Point: The Contemporary Native Art Collection, artists: Margarete Bagshaw (Santa Clara Pueblo), Rick Bartow (Wiyot), Joane Cardinal-Schubert (Blackfoot [Blood]), Lorenzo Clayton (Navajo), Rosalie Favell (Cree/Métis), Joe Feddersen (Colville Confederated Tribes [Okanagan/Lakes]), Jeffrey Gibson (Mississippi Band Choctaw/Cherokee), Carlos Jacanamijoy (Inga), James Lavadour (Walla Walla), Truman Lowe (Ho-Chunk), Judith Lowry (Hammawi Band Pit River/Mountain Maidu/Washo/Scottish-Irish/Australian), James Luna (Puyukitchum [Luiseño]), Mario Martinez (Pascua Yaqui), Alan Michelson (Mohawk), Douglas Miles (San Carlos Apache/Akimel O’odham), Kent Monkman (Cree), Nadia Myre (Algonquin), Nora Naranjo-Morse (Santa Clara Pueblo), Catherine Nelson-Rodriguez (Luiseño/Wailaki/Choctaw), Shelley Niro (Bay of Quinte Mohawk), Kay WalkingStick (Cherokee), Star Wallowing Bull (Minnesota White Earth Band of Chippewa), Marie Watt (Seneca), Emmi Whitehorse (Navajo) and Will Wilson (Diné), Smithsonian National Museum of the American Indian, Washington, D.C., United States. (September 16- August 11)
2010 Hide: Skin as Material and Metaphor, artists: Sonya Kelliher-Combs, Nadia Myre, Michael Belmore, Arthur Renwick, KC Adams, Terrance Houle, Rosalie Favell, and Sarah Sense curated by Kathleen Ash-Milby, Smithsonian National Museum of the American Indian, New York, New York, United States.
2009 Home/Land and Security, artists: Barry Ace, Sara Angelucci, Mary Anne Barkhouse, Michael Belmore, Ron Benner, Rosalie Favell, Lorraine Gilbert, Jamelie Hassan, Pat Hess, Penny McCann, Wanda Nanibush, Shelley Niro, Bear Thomas and Eric Walker along with works by Jeff Thomas and archival images from Six Nations, Render, Kitchener-Waterloo, Ontario, Canada.
2009 The Collectors Cabinet, from the collection of the City of Ottawa, City of Ottawa Gallery, Ottawa, Ontario, Canada.
2009 World Upside Down, Art Gallery of Greater Victoria, Victoria, British Columbia. (June 5 – August 30)
2008 Mother’s Mother’s Mother’s, Urban Shaman Gallery, ace art inc, Mentoring Artists for Women’s Art, Winnipeg and Gallery of Southwestern Manitoba, Brandon, Manitoba, Canada.
2008 International Indigenous Photo Exhibition, Eiteljorg Museum, Indianapolis, Indiana, United States.
2008 Steeling the Gaze, Portraits by Aboriginal Artists, artists: KC Adams, Carl Beam, Dana Claxton, Thirza Cuthand, Rosalie Favell, Kent Monkman, David Neel, Shelley Niro, Arthur Renwick, Greg Staats, Jeff Thomas, and Bear Witness, Canadian Museum of Contemporary Photography, National Gallery of Canada, Ottawa, Ontario, Canada.
2007 The Othered Woman, Paved Arts, AKA Gallery and Red Shift Gallery, Saskatoon, Saskatchewan, Canada.
2006 How: Engagements with the Hollywood Indian, A Space Gallery, Trinity Square Video, ImagineNATIVE Arts Festival, Toronto, Ontario, Canada.
2006 World Upside Down, artists: Allen (Ahmoo) Angeconeb, Lori Blondeau, T.C. Cannon, Renee Cox, Jack Dawes, Rosalie Favell, Cheryl L’hirondelle, General Idea Collective, Terrance Houle, Jarusha Brown, Goyce Kakegamic, Jim Logan, Shelley Niro, Roger Shimomura, Yinka Shonibare, Walter Phillips Gallery, Banff, Alberta, Canada. (September 29 – March 4)
2006 From the Peg: Flatter the Land, Bigger the Ruckus, Harbourfront Festival 2006, Toronto, Ontario, Canada. (July 28 – July 30)
2006 Our People, Our Land, Our Images, International Indigenous Photo Exhibition, artists: Dugan Auilar, Sema Alshabi, Mique’l Askren, Erena Baker, Pena Bonita, Martin Chambi, Jennie Ross Cobb, Rosalie Favell, Shan Goshorn, Benjamin A. Haldane, Alberto Ibanez, Nikki Isham, Zig Jackson, Erica Lord, Simone Magner, L Frank Manriquez, Lee Marmon, Larry McNeil, Shelley Niro, Aimee Ratana, Natalie Robertson, Nicole Staples, Rochelle Huia Smith Tanielu, Jeff Thomas, Hulleah J. Tsinhahjinnie, Will Wilsn, C.N. Gorman Museum, University of California Davis, Davis, California, United States. Curated by Veronica Passalacqua, Curator/Museum Specialist, C.N. Gorman Museum, Davis, CA. Organized by the C.N. Gorman Museum, University of California, Davis, CA. (April 8 – June 23)

  • 2007 – 2008 Autry National Center, Los Angeles, California, United States.
  • 2006 Burke Museum, University of Washington, Seattle, Washington, United States.

2004 Persona: From the Collection Canadian Museum of Contemporary Photography, Ottawa, Ontario, Canada.
2003 Gatherings: Aboriginal Art from the Collection of The Winnipeg Art Gallery, Guangdong Museum of Art, Guangzhou, China.
2002 Gatherings: Aboriginal Art from the Collection of The Winnipeg Art Gallery, The Winnipeg Art Gallery, Taipei, Taiwan.
2002 About Face: Self-Portraits by Native American and First Nations Artists, Wheelwright Museum of the American Indian, Santa Fe, New Mexico, United States.
2002 Gatherings: Aboriginal Art from the Collection of The Winnipeg Art Gallery, The Winnipeg Art Gallery, Winnipeg, Manitoba, Canada. (June 8 – October 6)
2002 Cross Generational, North Dakota Museum of Art, Grand Forks, North Dakota, United States
2001 Indian Art 2001, Woodland Cultural Centre, Brantford, Ontario, Canada.
2001 Off 17, Sudbury Art Gallery, Sudbury, Ontario, Canada.
2001 Rielisms, organized by The Winnipeg Art Gallery, Winnipeg, Manitoba, and toured to Dunlop Art Gallery, Regina, Saskatchewan, Canada.
2001 Portraits: Unsettled Subjects, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia, Canada. (June 23 – August 5)
2000 Exposed: Aesthetics of Aboriginal Erotic Art, Mackenzie Art Gallery, Regina, Saskatchewan, Canada. (March 16 – May 14)
2000 Present Tense: Native American Self-Representations in Photography, Foster Gallery, Haas Fine Art Center, University of Wisconsin-Eau Claire, Eau Claire, Wisconsin, United States.
2000 girl Guides boy Scouts: Navigating by our Grandmothers, Rosalie Favell and Arthur Renwick, Galerie B-312, Montréal, Québec, Canada. (March 18 – April 15)
2000 Indian Art 2000, Woodland Cultural Centre, Brantford, Ontario, Canada.
1999 alt.shift.control: Musings on Digital Identity, Art Gallery of Hamilton, Hamilton, Ontario, Canada.
1999 Emergence from the Shadows: First Peoples’ Photographic Perspectives, Canadian Museum of Civilization, Hull, Québec, Canada. (exhibited to 2001)
1998 Re:Collections: First Nations Photographers, The Winnipeg Art Gallery, Winnipeg, Manitoba, Canada
1998 Exploring Old Territory in a New Way: A Group Exhibition of Native North American Artists, Rathbone Gallery, The Sage Colleges Albany Campus, Albany, New York, United States.
1998 A Generous View, Art Gallery of Southwestern Manitoba, Brandon, Manitoba, Canada.
1997 Tamarind Institute, Instituto Chileno Norteamericano de Cultura, Santiago, Chile.
1995 Fotofeis ’95: International Festival of Photography in Scotland, Edinburgh, Scotland.
1995 Rosalie Favell: Living Evidence, Dazibao, Montréal, Québec, Canada. (February 25 – March 26)
1994 Rosalie Favell: Living Evidence, Dunlop Art Gallery, Regina, Saskatoon, Canada. (June 4 – August 21)
1987 Sense of Place: Photography in Manitoba, The Winnipeg Art Gallery, Winnipeg, Manitoba, Canada. (November 27 – January 27)
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TEACHING
2017-2014 Professor of Photography, Discovery University, Ottawa, Ontario, Canada.
2013 Photography Instructor, Ottawa University, Ottawa, Ontario, Canada.
2009-2008 Teaching Assistant, University of Ottawa, Ottawa, Ontario, Canada.
2007-2008 Contract Instructor, Native Art History, Carleton University, Ottawa, Ontario, Canada.
2005-2004 Teaching Assistant, University of Ottawa, Ottawa, Ontario, Canada.
2004-2002 Adjunct Professor, Algoma University College, Sault Ste. Marie, Ontario, Canada.
2002-2000 Professor of Photography, White Mountain Academy of the Arts, Elliot Lake, Ontario, Canada.
1999-1998 Sessional Lecturer, University of Manitoba, Winnipeg, Manitoba, Canada.
1998-1995 Graduate Teaching Assistant, University of New Mexico, Albuquerque, New Mexico, United States.
1995-1994 Professor of Photography, Institute of American Art, Santa Fe, New Mexico, United States.
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ARTIST RESIDENCIES
2017 CFAP Canadian Forces Art Program, Operation Nanook, Rankin Inlet, Nunavut, Canada.
2016 Nigig Residency, OCAD University, Toronto, Ontario, Canada.
2016 RMIT iAIR & Gushul Studio and University of Lethbridge Residency Program, Melbourne, Australia.
2012 Santa Fe Art Institute, Santa Fe, New Mexico, United States.
2011 Revolution 2012, The Banff Centre, Banff, Alberta, Canada.
2009 MAWA (Mentoring Artists for Women’s Art) Mentor-in-Residence, Winnipeg, Manitoba, Canada.
2008 Fiction Aboriginal Residency, The Banff Centre, Banff, Alberta, Canada.
2002-3 Canada/Mexico Photo/Literary Exchange FONCA, Merida, Mexico and The Banff Centre, Banff, Alberta, Canada.
1997 Fellowship, American Photography Institute, Tisch School of the Arts, New York University, New York City, New York, United States.  
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CURATION
UPCOMING Let’s Dance and Celebrating Women, Indigenous Art Centre, Department of Indigenous and Northern Affairs, Gatineau, Québec, Canada.
2016 My Spirit is Strong, Indigenous Art Centre, Department of Indigenous and Northern Affairs, Gatineau, Québec, Canada.
2012 The Faraway Nearby, Art Gallery of Algoma, Sault Ste. Marie, Ontario, Canada.
2011 Acting Up-Performing the Indian, Platform Centre for Photographic & Digital Arts, Winnipeg, Manitoba, Canada.
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TALKS, LECTURES & WORKSHOPS
2017 #CALLRESPONSE Maria Hupfield’s Post Performance/Conversation with Rosalie Favell presented by SAW Gallery in partnership with NAC’s Canada Scene, AXENÉO7, Gatineau, Québec, Canada.
2017 Canadian Camera Conference, Algonquin College, Ottawa, Ontario, Canada.
2017 Project Naming 15th Anniversary Panel, Library & Archives Canada, Ottawa, Ontario, Canada.
2013 Pictures (of) by Indians Symposium, Decolonization of the Lens, 2plus1 Collective, Ryerson University, Toronto, Ontario, Canada.
2011 Native American Art Studies Association, Ottawa, Ontario, Canada.
2010 University of Ottawa, Ottawa, Ontario, Canada.
2010 Smithsonian National Museum of the American Indian, New York City, New York and Washington D.C., United States.
2009 Canadian Contemporary Museum of Photography, Ottawa, Ontario, Canada.
2009 Looking In Speaking Out. Cross Communities, Winnipeg, Manitoba, Canada and Kathmandu, Nepal.
2009 MAWA (Mentoring Artists for Women’s Art), Winnipeg, Manitoba, Canada.
2007 Panel “Myth, Fallacy & Media: Prairie Influence across the Disciplines,” Plug In Institute of Contemporary Art (ICA), Winnipeg, Manitoba, Canada.
2006 Our People, Our Land, Our Images: International Indigenous Photographers Conference, C.N. Gorman Museum, U.C. Davis, Davis, California, United States.
2004 Speaker at the New Sun Conference, Carleton University, Ottawa, Ontario, Canada.
1993 Photography Workshop, The Leaf Rapids Societe des Arts, Leaf Rapids, Manitoba, Canada.
1993 Presentation at “It’s a Cultural Thing – Individual Expression, Collective Inspiration,” ANNPAC / PARCA / Minquon Panchayat, Calgary, Alberta, Canada.
1992-95 Native Indian Inuit Photographers Association (NIIPA) Annual NIIPA 6th Annual Conferences in Ottawa (1992) and Hamilton (1993) 
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AWARDS
2017 Aimia Photography Prize Long List, Art Gallery of Ontario
2017 Scotiabank Photography Long List
2017 New Chapter Grant, Canada Council for the Arts
2016 Royal Canadian Academy of Arts
2016 International Residency Grant, Canada Council for the Arts
2015 Exhibition Assistance Grant, Ontario Arts Council
2012 Ontario Arts Council Visual Arts Grant
2012 Ontario Arts Council Residency Grant
2012 Canada Council for the Arts Travel Grant
2012 City of Ottawa Karsh Award
2010 Ontario Arts Council Visual Arts Grant
2008 SAW Video Aboriginal Voices Fund
2004 Ontario Arts Council Chalmers Arts Fellowship
2003 Canada Council Victor Martyn Lynch-Staunton Award
2001 Ontario Arts Council Visual Arts Grant
2000 Canada Council Visual Arts Grant Photography: Ontario Arts Council Visual Arts Grant
1999 Canada Council Visual Arts Grant Photography
1998 Canada Council Visual Arts Grant Photography
1998 Manitoba Arts Council Visual Arts Grant and Travel Grant
1997 Fellowship, American Photography Institute, Tisch School of the Arts, New York University
1997 National Aboriginal Achievement Foundation, Canadian Native Arts Foundation
1996 University of New Mexico Research Project Travel Grant
1995 Canadian Native Arts Foundation
1995 Manitoba Arts Council Grant
1994 Canada Council Visual Arts B Grant
1994 Manitoba Arts Council Visual Arts B Grant
1994 City of Winnipeg Arts Grants
1993 Native Indian Inuit Photographers’ Association
1993 Manitoba Arts Council Visual
1988 Manitoba Arts Council Project Grant
1988 City of Winnipeg Arts Grant
1986 Manitoba Arts Council
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APPOINTMENTS
2017 – 2016 Hnatyshyn Foundation, Honorary Patron, REVEAL Indigenous Arts Awards

 
PUBLIC COLLECTIONS
Canada Council Art Bank, Ottawa, Ontario
Canadian Museum of Contemporary Photography, Ottawa, Ontario
City of Ottawa, Ottawa, Ontario
C.N. Gorman Museum, U.C. Davis, Davis, California
Indian and Inuit Art Centres, Department of Indian Affairs and Northern Development (DIAND), Ottawa, Ontario
Manitoba Arts Council Art Bank, Winnipeg, Manitoba
Mount Saint Vincent University, Halifax, Nova Scotia
National Gallery of Canada, Ottawa, Ontario
Portrait Gallery of Canada, Ottawa, Ontario
Rockwell Museum of Western Art, Corning, New York
Smithsonian National Museum of the American Indian, New York, New York
Winnipeg Art Gallery, Winnipeg, Manitoba
Woodland Cultural Centre, Brantford, Ontario.
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BIBLIOGRAPHY
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Ace, Barry. Rituals of Collecting and Transformation: The Artistic Journeys of Rosalie Favell, BlackFlash, Vol. 24.3 2007.

Ash-Milby, Kathleen editor. Hide: Skin as Material and Metaphor, Smithsonian National Museum of the American Indian, New York, New York, 2010.

Bean, Robert and Bell, Lynne and Busby, Cathy and Drobnick, Jim and Enright, Robert and Favell, Rosalie and Fisher, Jennifer and Fitzpatrick, Blake and Horne, Stephen and Ingelevics, Vid and Jean , Marie-Josée and Ju, Jeanne and Knight, Katherine and Maggs, Arnaud and Maranda, Michael and McFarland, Scott and Metcalfe, Robin and Paiement, Alain and Renwick, Arthur and Tremblay, Ève K. and Williams, Carol. Image and Inscription : An Anthology of Contemporary Canadian Photography. Toronto, Ont.: Gallery 44; Toronto, Ont.: YYZ Books, 2005.

Beatty, Greg. “Exposed: Aesthetics of Aboriginal Erotic Art.” Artichoke, 12:1 (2000), 34-6.

_____. “Rosalie Favell: Living Evidence.” Fuse, 18:1 (1994), 46-7.

Butler, Sheila. “A Sense of Place: Photography in Manitoba.” Vanguard 16:2 (April/May 1987), pp. 41-2.

Campeau, Michel and Corin, Ellen and Eyre, Janieta and Gilbert, André and Harel, Simon and Langford, Martha and Mayrand, Céline. Autoportraits dans la photographie canadienne contemporaine = Self-Portraits in Contemporary Canadian Photography. Québec Qc: J ai VU, 2004.

Campbell, Suzan. The American West: People, Places, and Ideas. Santa Fe, NM: Western Edge Press, 2001.

Cerdan, Alice. girl Guides boy Scouts: Navigating by our Grandmothers, Rosalie Favell and Arthur Renwick. Cahier no. 43. Montréal, Québec: Galerie B-312, 2000.

Dahle, Sigrid. “Dynamic of Riel images examined by 10 artists.” Winnipeg Free Press, 3/2/01, B:7\

Steeling the Gaze: Portraits by Aboriginal Artists, a new National Gallery photography exhibit explores the relationship between Canadian settler culture and First Nations peoples, Jennifer Dales, February 6, 2009, rabble.ca http://rabble.ca/news/steeling-gaze

Dessureault, Pierre and Hamelin, Louis-Edmond and Kunard, Andrea and Chartier, Daniel and Lunstrõm, Jan-Erik. Nordicité. Québec, Qc: J’ai VU, 2010.

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DOSSIER: en traitement

Enright, Robert. “Legends of the fall.” The Globe and Mail, Saturday, 12 May 2001, Sec. V, p. 8.

Eyland, Cliff. “Officialdumbing.” Border Crossings, 20:2 (Issue No. 78, 2001), 122-3.

_____. “William Eakin/Robert Epp and Rosalie Favell.” Border Crossings, 21:4 (No. 84, 2002), 67-8.

Farrell Racette, Sherry, Close Encounters: The Next 500 Years, Plug In Editions, 2011.

Favell, Rosalie. “Dossier: Amérindiens et Métis: art et politique.” Spirale, 171 (mars-avril 2000), 3, 6-7, 11-12.

_____. “Living Evidence.” Talking Stick, 1:3 (Spring 1994), 3.

_____. “Facing the Camera,” Blurb, 2012.

Février, Ève. “Speculum de Rosalie Favell.” Esse, 25 (Automne 1994), 8-11.

Frame, Allen and Büchler, Pavel and Williams, Val. Fotofeis ’95 : International Festival of Photography in Scotland. Edinburgh, Scotland: Fotofeis, 1995.

Foster, Alasdair, Gill, Ken, and McArthur, Euan eds. Fotofeis: International Festival of Photography in Scotland. Edinburgh: Fotofeis Ltd., 1995, p. 148.

Fraser, Graham. “Portraits of a people.” The Globe and Mail, Tuesday, 20/11/99, Sec. R, pp. 1, 3.

Gessell, Paul. “The Riel thing: exhibit shows Métis leader as hero to many.” The Ottawa Citizen, Saturday, 18 January 2001, Sec. K, pp. 1, 5.

_____. “Aboriginal erotic art show ruffles few feathers.” The Ottawa Citizen, 14/3/00, Sec. D, pp. 13, 16.

Gilbert, André. Self Portraits in Contemporary Canadian Photography, Éditions J’ai VU, 2004.

Goggin, Kathleen. Rosalie Favell: Living Evidence. Montréal, Québec: Dazibao, 1995.

Hill, Richard William and L’Hirondelle, Cheryl and Nayhowtow, Joseph. The World Upside Down = Le monde à l’envers. Vancouver BC: Walter Phillips Gallery, 2008.

Hopkins, Candice and Loft, Steve and Martin, Lee-Ann and Western, Jenny and Hill, Richard William and Sinclair, Niigaanwewidam James and Masayesva, Victor and Cardinal-Schubert, Joane and Tamati-Quennell, Megan and Garneau, David and Poitras, Edward and Isaac, Jaimie. Close Encounters: The Next 500 Years. Winnipeg, Man.: Plug-In Editions, 2011.

Jenkner, Ingrid. Living Evidence. Regina, Saskatchewan: Dunlop Art Gallery, 1994.

Jenkner, Ingrid and Purdy, Bernice and Garvey, Susan Gibson and Ward, Andrea and McEachern, Susan and Swannie, Suzanne. Now Appearing: The Mount Saint Vincent University Collection. Halifax, NS: The Art Gallery, Mount Saint Vincent University, 1996.
DOSSIER: 343 – MOUNT SAINT VINCENT UNIVERSITY ART GALLERY (MSVU ART GALLERY) (Halifax)

Kiendl, Anthony and Di Rosa, Hervé and Enright, Robert and Gonick, Noam and Dahle, Sigrid and Walsh, Meeka and Aisemberg, Paula and Sigrid, Dahle and Mattes, Cathy. My Winnipeg : Guide de la scène artistique = Guide of the Artistic Scene. Lyon France: Fage, 2011.

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_____. Rielisms. Winnipeg: The Winnipeg Art Gallery, 2001.

McAlear, Donna. Rosalie Favell: I Searched Many Worlds, The Winnipeg Art Gallery, 2003.

Melnyk, Doug. “Rosalie Favell.” Vanguard, 14:7 (September 1985), p. 36.

Payne, Carol. “Emergence from the Shadow: First Peoples’ Photographic Perspectives.” Afterimage, 27:6 (May/June 2000), 16.

Quick-to-See Smith, Jaune. We are One, We are Many: An Exhibition of Contemporary Native American Art. La Crosse, Wisconsin: University of Wisconsin-La Crosse, 1997.

Robertson, Sheila. “Exhibition draws on family photographs.” The Star-Phoenix, 17/1/98, Sec. C, p. 10.

Shinat, Molly Amoli K. “Bridging the continental divide.” Ottawa X Press, 28 October 1999, p. 21.

Starling, Mike. “UW-L art gallery director hopes ‘We Are One, We Are Many’ will change attitudes about style of art.” La Crosse Tribune,Thursday, 20 February 1997, Sec. E, p.8.

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Telenko, Sherri. “alt.shift.control: Musings on Digital Identity.” Lola, 7 (Fall 2000), 87.

_____. “alt.shift.control: digital images by contemporary Native photographers Rosalie Favell, Lita Fontaine, Larry McNeil.” Fuse, 23:3 (February 2001), 35-6.

Tsinhnahjinnie, Hulleah J. and Veronica Passalacqua. Our People, Our Land, Our Images International Indigenous Photographers. The Regents of the University of California. Davis, California 2006

Urbanowski, Greg. “Métis photographer bares her soul: polaroids reveal intimacy of relationship.” Prince Albert Daily Herald, 20 January 1995, p. 9.

Walsh, Meeka and Lai, Larissa and Lessard, Denis and MacInnis, Neil S. and Allaire, Serge and Campeau, Sylvain and Baillargeon, Richard and Carlevaris, Anna Maria and Klassen, Val and Philp, Andrea and Turner, Susan and Turner, Myron and Mark, Lisa Gabrielle. Light Year: A Festival of Photographies. Winnipeg, Man.: Floating Gallery, 1998.

Whitebear-Reed, Joyce. “Photo-Realities: photographs by First Nations photographers.” Talking Stick, 1:2 (Winter 1994), 6.

_____. “Photo-Realities: photographs by First Nations photographers.” Blackflash, 11:4 (Winter 1993), 14-17.

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