CV

EDUCATION:
Bachelor of Applied Arts in Photographic Arts, Ryerson Polytechnical Institute, Toronto, Ontario, 1984
Master of Fine Arts, University of New Mexico, Albuquerque, New Mexico, 1998
PhD (ABD) Cultural Mediations, Institute for Comparative Studies in Art, Literature and Culture, Carleton University, Ottawa, Ontario, 2005 to 2009

ARTIST RESIDENCIES AND PANELS:
2002-3 Canada/Mexico Photo/Literary Exchange FONCA, Merida, Mexico The Banff Centre, Banff, Alberta.
2004 Speaker at the New Sun Conference, Carlton University, Ottawa, Ontario.
2008 Fiction Aboriginal Residency, The Banff Centre, Banff, Alberta.
2009 MAWA (Mentoring Artists for Women’s Art) Mentor in Residence, Winnipeg, Manitoba.
2011 Revolution 2012, The Banff Centre, Banff, Alberta.
2012 Santa Fe Art Institute, Santa Fe, NM, USA.
2013 Pictures (of) by Indians, Symposium- Decolonization of the Lens, 2plus1Collective, Ryerson University, Toronto, ON.
2016 RMIT iAIR & Gushul Studio Residency Program, Melbourne, Australia

SELECTED SOLO EXHIBITIONS:
1985 Family Circle, The Floating Gallery, Winnipeg, Manitoba.
1993 Portraits in Blood, Native Indian/Inuit Photographers’ Association (NIIPA) Gallery, Hamilton, Ontario.
1994 Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia.
1995 Living Evidence, Fotofeis ’95, International Festival of Photography, Edinburgh, Scotland.
Living Evidence, Galerie Dazibao, Montreal, Quebec.
1996 Eclipse I: A Gathering of Spirits, The Floating Gallery, Winnipeg, Manitoba.
Rosalie Favell, The Manitoba Studio Series 27, The Winnipeg Art Gallery, Winnipeg, Manitoba.
1998 Longing and Not Belonging, One Star Artist’s Studio, Lubbock, Texas.
Longing and Not Belonging, The Photographers Gallery, Saskatoon, Saskatchewan.
1999 Longing and Not Belonging, New Phase Art Space,Tainan and International Visual Art Centre, Taipei, Taiwan.
Longing and Not Belonging, Indian and Inuit Art Centres, Department of Indian and Northern Affairs (DIAND), Hull, Quebec.
2000 Longing and Not Belonging, Thunder Bay Art Gallery and Kitchener-Waterloo Art Gallery, Ontario.
2002 Longing and Not Belonging, Art Gallery of Southwestern Manitoba, Brandon, Manitoba.
2003 Rosalie Favell: I Searched Many Worlds, Winnipeg Art Gallery, Winnipeg, Manitoba
2005 Rosalie Favell, Art Gallery of Algoma, Sault Ste. Marie, Ontario.
2008 Cultural Mediations, Urban Shaman, Winnipeg, Manitoba.
2009 Reveal, Ottawa Art Gallery, Ottawa, Ontario
2011 Facing the Camera, Urban Shaman, Winnipeg, Manitoba
Rosalie Favell: Living Evidence, Mount Saint Vincent University Art Gallery, Halifax, Nova Scotia.
2012 Rosalie Favell Karsh Award Exhibition, Karsh Masson Gallery, Ottawa, Ontario
2013 Rosalie Favell, Cube Gallery, Ottawa , Ontario
Wish You Were Here, Art Gallery of Algoma, Sault Ste Marie, Ontario
Rosalie Favell, Cube Gallery, Ottawa, Ontario
Facing the Camera: Santa Fe Suite, Museum of Contemporary Native Art, Santa Fe, NM
Group Exhibit, Carmel Gallery, Ottawa, ON
Muse as Memory:the Art of Rosalie Favell, Gallery of the Collage of Staten Island, NY, NY
2014 Rosalie Favell: Relations, All My Relations, Minneapolis, Minnesota
2015 Rosalie Favell: (Re)Facing the Camera, MacKenzie Art Gallery, Regina, Saskatchewan
2016 from and early age revisited (1994, 2016), Wanuskewin Heritage Park, Regina, Saskatoon, Saskatchewan

SELECTED GROUP EXHIBITIONS:

1997 Tamarind Institute, Instituto Chileno Norteamericano de Cultura, Santiago, Chile.
A Generous View, Art Gallery of Southwestern Manitoba, Brandon, Manitoba.
Exploring Old Territory in a New Way: A Group Exhibition of Native North American Artists, Rathbone Gallery, The Sage Colleges Albany Campus, Albany, New York.
1998 Re:Collections: First Nations Photographers, The Winnipeg Art Gallery, Winnipeg, Manitoba.
Emergence from the Shadows: First Peoples’ Photographic Perspectives, Canadian Museum of Civilization, Hull, Quebec (exhibited to 2001).
1999 alt.shift.control: Musings on Digital Identity, Art Gallery of Hamilton, Hamilton, Ontario.
Indian Art 2000, Woodland Cultural Centre, Brantford, Ontario.
girl Guides boy Scouts: Navigating by our Grandmothers, Rosalie Favell and Arthur Renwick, Galerie B-312, Montreal, Quebec.
2000 Present Tense: Native American Self-Representations in Photography, Foster Gallery, Haas Fine Art Center, University of Wisconsin-Eau Claire, Eau Claire, Wisconsin.
Exposed: Aesthetics of Aboriginal Erotic Art, Mackenzie Art Gallery, Regina, Saskatchewan.
Rielisms, organized by The Winnipeg Art Gallery, Winnipeg, Manitoba, and toured to Dunlop Art Gallery, Regina, Saskatchewan.
Off 17, Sudbury Art Gallery, Sudbury, Ontario.
2001 Indian Art 2001, Woodland Cultural Centre, Brantford, Ontario.
Cross Generational, North Dakota Museum of Art, Grand Forks, North Dakota.
Gatherings: Aboriginal Art from the Collection of The Winnipeg Art Gallery, The Winnipeg Art Gallery, Winnipeg, Manitoba.
Gatherings: Aboriginal Art from the Collection of The Winnipeg Art Gallery, The Winnipeg Art Gallery, Taipei, Taiwan.
2002 Gatherings: Aboriginal Art from the Collection of The Winnipeg Art Gallery, Guangdong Museum of Art, Guangzhou, China.
About Face: Self-Portraits by Native American and First Nations Artists, Wheelwright Museum of the American Indian, Santa Fe, NewMexico
2004 Persona: From the Collection Canadian Museum of Contemporary Photography, Ottawa
2005 World Upside Down, Walter Phillips Gallery, Banff, Alberta.
2006 Our People, Our Land, Our Images, International Indigenous Photo Exhibition, Burke Museum, University of Washington, Seattle, Washington.
Our People, Our Land, Our Images, International Indigenous Photo Exhibition, C.N. Gorman Museum, University of California Davis, Davis, California.
Steeling the Gaze, Portraits by Aboriginal Artists, Canadian Museum of Contemporary Photography, National Gallery, Ottawa, Ontario.
How: Engagements with the “Hollywood Indian”, ASpace, Toronto, Ontario.
2007 The Othered Woman, Paved Arts, AKA Gallery and Red Shift Gallery, Saskatoon, SK.
2008 Mother’s Mother’s Mother’s, Urban Shaman Gallery, ace art inc, Mentoring Artists for Women’s Art, Winnipeg and Gallery of Southwestern Manitoba, Brandon, Manitoba.
Our People, Our Land, Our Images, International Indigenous Photo Exhibition, Autry National Center, Los Angeles, California.
Our People, Our Land, Our Images, International Indigenous Photo Exhibition, Eiteljorg Museum, Indianapolis, Indiana.
World Upside Down, Art Gallery of Greater Victoria, Victoria, British Columbia.
World Upside Down, Musée d’art de Joliette, Joliette, Québec.
Our People, Our Land, Our Images, International Indigenous Photo Exhibition, Amerindian Foundation, Dragoon, Arizona.
2009 The Collectors Cabinet, from the collection of the City of Ottawa, City of Ottawa Gallery, Ottawa, Ontario.
Home/Land and Security, Render, Kitchner Waterloo.
2010 Hide: Skin as Material and Metphor. Smithsonian National Museum of the American Indian, New York, New York.
Vantage Point: The Contemporary Native Art Collection, Smithsonian National Museum of the American Indian, Washington, D.C.
Steeling the Gaze, Portraits by Aboriginal Artists, toured by the Canadian Museum of Contemporary Photography and National Gallery of Canada, Thunder Bay Art Gallery, Thunder Bay, Ontario.
2011 Soul Sister, Museum of Contemporary Native Arts, Santa Fe, New Mexico.
Close Encounters: The Next 500 Years, Plug In Institute of Contemporary Art, WPG, MB
Steeling the Gaze, Portraits by Aboriginal Artists, toured by the Canadian Museum of Contemporary Photography and National Gallery of Canada, Art Gallery of Windsor, Windsor, Ontario.
Steeling the Gaze, Portraits by Aboriginal Artists, toured by the Canadian Museum of Contemporary Photography and National Gallery of Canada, Dalhousie Art Gallery, Halifax, Nova Scotia.
Steeling the Gaze, Portraits by Aboriginal Artists, Steeling the Gaze, Portraits by Aboriginal Artists, toured by the Canadian Museum of Contemporary Photography and National Gallery of Canada, Mendel Art Gallery, Saskatoon, SK.
Steeling the Gaze, Portraits by Aboriginal Artists, toured by the Canadian Museum of Contemporary Photography and National Gallery of Canada, Kelowna Art Gallery, Kelowna, BC.
Resilience/Resistance: Métis Art, 1880-2011,BatocheNational Historic Site, Batoche, SK
2012 007(Ottawa Ontario Seven Collective Gladstone, Toronto, ON.
Steeling the Gaze, Portraits by Aboriginal Artists, Steeling the Gaze, Portraits by Aboriginal Artists, toured by the Canadian Museum of Contemporary Photography and National Gallery of Canada, Mendel Art Gallery, Saskatoon, SK.
2015 Home Away from Home, Ottawa Art Gallery, Ottawa, Ontario
2015 Wax-Paper-Paint: Rosalie Favell & Susan Ukkola, Cube Gallery, Ottawa, Ontario
2016 Paper / Papier, Cube Gallery, Ottawa, Ontario

PUBLIC COLLECTIONS:
Canada Council Art Bank, Ottawa, Ontario; Canadian Museum of Contemporary Photography, Ottawa, Ontario;
City of Ottawa, Ottawa, Ontario; C.N. Gorman Museum, U.C. Davis, Davis, California; Indian and Inuit Art Centres, Department of Indian Affairs and Northern Development (DIAND), Ottawa, ON; Manitoba Arts Council Art Bank, Winnipeg, Manitoba; Mount Saint Vincent University, Halifax, Nova Scotia; National Gallery of Canada, Ottawa, Ontario; Portrait Gallery of Canada, Ottawa, Ontario; Rockwell Museum of Western Art, Corning, New York; Smithsonian National Museum of the American Indian, New York, New York; Winnipeg Art Gallery, Winnipeg, Manitoba; Woodland Cultural Centre, Brantford, Ontario

AWARDS:
1997 Fellowship, American Photography Institute, Tisch School of the Arts, New York University
1998 Canada Council Visual Arts Grant Photography; Manitoba Arts Council Visual Arts Grant:Travel Grant
1999 Canada Council Visual Arts Grant Photography
2000 Canada Council Visual Arts Grant Photography: Ontario Arts Council Visual Arts Grant
2001 Ontario Arts Council Visual Arts Grant
2003 Canada Council Victor Martyn Lynch-Staunton Award
2004 Ontario Arts Council Chalmers Arts Fellowship
2007 National Aboriginal Achievement Foundation Academic
2008 SAW Video Aboriginal Voices Fund
2010 Ontario Arts Council Visual Arts Grant
2012 Ontario Arts Council Visual Arts Grant; Ontario Arts Council Residency Grant; Canada Council for the Arts Travel Grant; City of Ottawa Karsh Award

BIBLIOGRAPHY:
Ace, Barry and Rice, Ryan. “Rosalie Favell: Longing and not Belonging.” CV: Photographie contemporaine, 53 (Winter 2000), 23-30.
Ace, Barry. Rituals of Collecting and Transformation : The Artistic Jorneys of Rosalie Favell, BlackFlash, Vol. 24.3 2007.
Ash-Milby, Kathleen editor. Hide:Skin as Material and MetaphorSmithsonian National Museum of the American Indian, New York, New York, 2010.
Beatty, Greg. “Exposed: Aesthetics of Aboriginal Erotic Art.” Artichoke, 12:1 (2000), 34-6.
_____. “Rosalie Favell: Living Evidence.” Fuse, 18:1 (1994), 46-7.
Butler, Sheila. “A Sense of Place: Photography in Manitoba.” Vanguard 16:2 (April/May 1987), pp. 41-2.
Campbell, Suzan. The American West: People, Places, and Ideas. Santa Fe, NM: Western Edge Press, 2001.
Cerdan, Alice. girl Guides boy Scouts: Navigating by our Grandmothers, Rosalie Favell and Arthur Renwick. Cahier no. 43. Montréal, Québec: Galerie B-312, 2000.
Dahle, Sigrid. “Dynamic of Riel images examined by 10 artists.” Winnipeg Free Press, 3/2/01, B:7
Enright, Robert. “Legends of the fall.” The Globe and Mail, Saturday, 12 May 2001, Sec. V, p. 8.
Eyland, Cliff. “Officialdumbing.” Border Crossings, 20:2 (Issue No. 78, 2001), 122-3.
_____. “William Eakin/Robert Epp and Rosalie Favell.” Border Crossings, 21:4 (No. 84, 2002), 67-8.
Farrell Racette, Sherry, Close Encounters: The Next 500 Years, Plug In Editions, 2011.
Favell, Rosalie. “Dossier: Amérindiens et Métis: art et politique.” Spirale, 171 (mars-avril 2000), 3, 6-7, 11-12.
_____. “Living Evidence.” Talking Stick, 1:3 (Spring 1994), 3.
_____. “Facing the Camera, Blurb, 2012.
Février, Ève. “Speculum de Rosalie Favell.” Esse, 25 (Automne 1994), 8-11.
Foster, Alasdair, Gill, Ken, and McArthur, Euan eds. Fotofeis: International Festival of Photography in Scotland. Edinburgh: Fotofeis Ltd., 1995, p. 148.
Fraser, Graham. “Portraits of a people.” The Globe and Mail, Tuesday, 20/11/99, Sec. R, pp. 1, 3.
Gessell, Paul. “The Riel thing: exhibit shows Métis leader as hero to many.” The Ottawa Citizen, Saturday, 18 January 2001, Sec. K, pp. 1, 5.
_____. “Aboriginal erotic art show ruffles few feathers.” The Ottawa Citizen, 14/3/00, Sec. D, pp. 13, 16.
Gilbert, André. Self Portraits in Contemporary Canadian Photography, Éditions J’ai VU, 2004.
Goggin, Kathleen. Rosalie Favell: Living Evidence. Montréal, Québec: Dazibao, 1995.
Jenkner, Ingrid. Living Evidence. Regina, Saskatchewan: Dunlop Art Gallery, 1994.
Lidchi, Henrietta and Hulleah J. Tsinhnahjinnie, editors. Visual Currencies Reflections on Native
Photography. National Museums Scotland. Edinburgh, Scotland, 2009.
Lippard, Lucy R. “Independent Identities.” Native American Art in the Twentieth Century. Ed. W. Jackson Rushing III. London and New York: Routledge, pp. 134-48.
Loft, Steve and Madill, Shirley. alt.shift.control: Musings on Digital Identity. Hamilton, Ontario: Art Gallery of Hamilton and Native Indian/Inuit Photographers’ Association, 2000.
Madill, Shirley. A Sense of Place: Photography in Manitoba. Winnipeg: The Winnipeg Art
Gallery, 1987.
Martin, Lee-Ann and Wood, Morgan. Exposed: Aesthetics of Aboriginal Erotic Art. Regina, Saskatchewan: Mackenzie Art Gallery, 1999.
Mattes, Catherine. “Introduction.” First Voices, First Words Issue. Prairie Fire, 22:3, pp. 64-80, 215.
_____. Rielisms. Winnipeg: The Winnipeg Art Gallery, 2001.
McAlear, Donna, Rosalie Favell: I Searched Many Worlds, The Winnipeg Art Gallery, 2003.
Melnyk, Doug. “Rosalie Favell.” Vanguard, 14:7 (September 1985), p. 36.
Payne, Carol. “Emergence from the Shadow: First Peoples’ Photographic Perspectives.” Afterimage, 27:6 (May/June 2000), 16.
Quick-to-See Smith, Jaune. We are One, We are Many: An Exhibition of Contemporary Native American Art. La Crosse, Wisconsin: University of Wisconsin-La Crosse, 1997.
Robertson, Sheila. “Exhibition draws on family photographs.” The Star-Phoenix, 17/1/98, Sec. C, p. 10.
Shinat, Molly Amoli K. “Bridging the continental divide.” Ottawa X Press, 28 October 1999, p. 21.
Starling, Mike. “UW-L art gallery director hopes ‘We Are One, We Are Many’ will change attitudes about style of art.” La Crosse Tribune,Thursday, 20 February 1997, Sec. E, p.8.
Statistics Canada. Canada: A Portrait. Ottawa: Minister of Industry, 2002, p. 80.
Telenko, Sherri. “alt.shift.control: Musings on Digital Identity.” Lola, 7 (Fall 2000), 87.
_____. “alt.shift.control: digital images by contemporary Native photographers Rosalie Favell, Lita Fontaine, Larry McNeil.” Fuse, 23:3 (February 2001), 35-6.
Tsinhnahjinnie, Hulleah J. and Veronica Passalacqua, Our People, Our Land, Our Images International
Indigenous Photographers. The Regents of the University of California. Davis, California 2006
Urbanowski, Greg. “Métis photographer bares her soul: polaroids reveal intimacy of relationship.” Prince Albert Daily Herald, 20 January 1995, p. 9.
Whitebear-Reed, Joyce. “Photo-Realities: photographs by First Nations photographers.” Talking Stick, 1:2 (Winter 1994), 6.
_____. “Photo-Realities: photographs by First Nations photographers.” Blackflash, 11:4 (Winter 1993), 14-17.

CURATION:
2011 Acting Up-Performing the Indian, Platform Centre for Photographic & Digital Arts, Winnipeg, MB.
2012 The Faraway Nearby, Art Gallery of Algoma, Sault Ste Marie, ON.